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Emotional

Tameiki Majiri "Mixing Sighs"

Production: March 2007
Material: faucet, drain port, MP3 player, speaker, voice, etc.

Winner: 2008 "11th Japan Media Arts Festival" Art department (interactive) Jury Recommended Works

Interactive works that viewers loosen the faucet.
Loosening the faucet, sigh who leak such feelings loose.
Voice of sigh that leaked from each of the faucet is mingled at random.
The viewer, not get even with any of the emotions, nestled in was filled with a vague emotional space.

Water Weaving

Description: Nobuho Nagasawa's Water Weaving Light Cycle pulsates with shifting hues of blue light. The sound sculpture woven from optical fiber is suspended above a Seattle City Hall stairwell. During the day, the fiber tapestry has the appearance of a woven glass net; at night, blue light pulses through the fiber, simulating flowing water. An audio component mixes the sound of lapping waves, recorded at localcal beaches, with weather-related environmental sounds selected by a computer linked to real-time weather reports by the National Oceanic and Atmospheric Administration.

SPURSE | OCEA(n)

OCEA(n)

The Kitchen (512 West 19th Street, New York City). UNDERCURRENTS: Experimental Ecosystems in Recent Art. Organized by curatorial fellows Anik Fournier, Michelle Lim, Amanda Parmer and Robert Wuilfe, May 27th – June 19th. spurse collaboration. 2010

Bridge Whispers

BRIDGE WHISPERS
November 2010

An installation on the Brooklyn Bridge. Contact microphones, fed through handmade amplifiers, are attached to the cables and beams of the bridge with strong magnets. Pedestrians can plug directly in to the small boxes and listen to the vibrations of the bridge, hearing the effects of water, wind, and travelers. A rich depth of sound emerges, finally accessible to the human ear.

Made with Liza Stark

Exhibited:
2011 CIANT enter5 Festival, Prague

Ritual and Weather

PRACTICE
___________

Till Design was founded while making a collaborative drawing in 2001 on an asphalt parking lot surface with two friends. Using paint on rollers and completed over a six month period this drawing was an experiment into a shared question about the shape our body makes in movement, the marks we can make in movement and our perception of those marks in time. The experience of doing this drawing was similar to the act of tilling, that is clearing a ground in which to work, reflect and make a difference.

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